
Linocut 10cmx10cm
Apart from the Flying Pictures Sketchbook Exchange, I haven't been doing a lot of sketching lately because a few weeks ago I started a three month printmaking workshop. I found a wonderful teacher, Rick Woodbury with a beautiful studio right here in Castiglion Fiorentino. I couldn't believe my luck! Then I had to wait for more than a year for Rick to fit me into a workshop. I couldn't have wished for a better opportunity as the rest of the group is made up of American university students here at the Santa Chiara School for a semester studying art and architecture. They are keeping me on my toes!
I'm going to post all my efforts from the beginning in the hope that it will be a record of my evolving skill.
First of all we tackled monoprints.
I'm going to post all my efforts from the beginning in the hope that it will be a record of my evolving skill.
First of all we tackled monoprints.


The lesson I learned from the last two prints was that if I am going to experiment, it's a good idea to experiment on proper paper. I have a tendency to over-ink my plates, so Rick suggested I make a second print from the same plate. I used a piece of scrap newsprint (notice the text) and, of course, ended up liking this second print best.
I have some more monoprints to post but I have now moved on to drypoint and hardground etching which I think better suits my desire to draw.
The little snail at the top of this post was my first effort at linocut where I've had access to a decent press. I've since made a whole series in different colours.
I have some more monoprints to post but I have now moved on to drypoint and hardground etching which I think better suits my desire to draw.
The little snail at the top of this post was my first effort at linocut where I've had access to a decent press. I've since made a whole series in different colours.



