Showing posts with label Van Gogh Project. Show all posts
Showing posts with label Van Gogh Project. Show all posts

Saturday, February 24, 2007

House on the Hill


Long before we decided to buy in Tuscany, even though HWEM had been lobbying from the moment we arrived, I fell in love with a little house on the hill. When we walked the dogs, I used to point at it behind the wall and say 'If I were going to live here, that's the house I'd want. After we bought our apartment, the garden of which backs on to the wall, I realised it was directly in front of 'my' house on the hill. My pointing finger was obviously off target!

Today I rugged up and took my sketchbook out to the top of the garden and sketched the view in pencil. By the time I finished sketching my bum was starting to feel numb so I retreated to my 'studio' to add the watercolour. I hope it's a sign that I am becoming more adventurous and will spend more time sketching and painting en plein air this year. The detail of all the foliage and terracotta usually overwhelms me. I think the time I've spent this month trying to learn from the marks of Van Gogh, has made me a bit more confident and much less literal.

Wednesday, February 21, 2007

Making a Mark: The Van Gogh Project: the artists' contributions #2

Making a Mark: The Van Gogh Project: the artists' contributions #2

Katherine Tyrrell has posted a treasure trove of links to all things Vincent Van Gogh on her Blog. Creating complex links has eluded me, then this morning, a miracle, I was able to copy the link to Katherine's summary of all the artists who have taken part in the VVG Project. Just follow the link to Katherine's blog.

Wednesday, February 14, 2007

The Ups and Downs with Van Gogh

Persimmon in the Olive Grove

What's this? Two posts in one day! Too much coffee I think.

Pressing on with Van Gogh, I bit off more than I could chew. This little Persimmon is one of my favourite trees - she is beautiful in every season. This is her best outfit - her fruit, deep gold baubles throughout the winter. This Christmas she was hung with tiny white fairy lights. Tiffany's eat your heart out. But all this I leave to your imagination because as you can see, I made some bad choices here. Why on earth I put in that horrible building on the left, when it isn't even there! And why did I put in the young Cypress, which is there but does nothing for my composition. I guess I thought it was very Van Gogh! We won't mention the darks in the olive trees - please!

So what am I left with from today's study? Well, I quite like the lines that define the ground - these I learned from Vincent.
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