Showing posts with label Pitt artist pens. Show all posts
Showing posts with label Pitt artist pens. Show all posts

Sunday, July 13, 2008

An Onion on my Desk


Watercolour & WC pencils - A4 scribble block

HWEM has started pulling the first onions from the garden. I want to do a proper watercolour but thought I had better catch one at least in a sketch before it loses its leaves. All the sketches I'm doing lately are on a cheap sketch pad I bought from the supermarket. It is so liberating! ( Note to Sharon - I've used some Perylene Maroon in this. Sharon has been painting onions as well.)

Watercolour & Pen - Val di Chio

Inspired by looking at some lovely loose pen and ink sketches in our Flying Pictures sketchbook exchange (see Casey and Ronell) I've started playing fast and loose with the local scenery. This is a detail from the view over the valley from our carpark.

Watercolour, Acrylic ink and pen

Acrylic inks I bought on special in London and not sure if I really needed!


Roman building - Pitt Artist Pens & ink


Two Hot Dogs suffering the Tuscan Summer

Thursday, July 10, 2008

Sunflowers Seated

Gel Pen & Pitt Artist Pens

Who was I thinking of? He made icons of both these objects.

I'm doing a lot of quick, loose sketches on scrap paper, trying to loosen up my style.

Sunday, December 09, 2007

From watercolour to pen sketches




My watercolour course has officially come to an end but I keep turning up each week because of the two new friends I've made and all that I can still learn from Gabriele. The watercolour above is after a pen and ink sketch of his. I drive past the Chiesa della Consolazione on the way to my lesson. The church is an octagonal building of 1565, possibly designed by Vasari.

I'm very fond of Gabriele's pen and ink sketches so he is now helping me learn some approaches to capture the local architecture. I'm still too heavy-handed and need a lot of practice to free up my arm.


Doodling with a fine Pitt Artist Pen.

In the spring Gabriele plans to take us sketching on location. After a lifetime of living and painting here, he knows all the best spots.

Wednesday, June 06, 2007

Sketching in Rome


Ponte Fabricio 62BC

We live two hours from Rome, this week I was there for the first time in two years! Shame on me. But what a treat. Dear friends, Jim and Philippa invited me to stay in their apartment near the Pantheon - what bliss. They totally indulged me with food, walks, art, wine, Bellini cocktails and precious time to sketch.

Bernini's delightful little Elephant balancing an Egyptian obelisk was just around the corner. It's a favourite of Philippa's, so while they went off to their Italian class, I attempted to sketch it for her.

The Piazza was deserted when I arrived and next to a pile of rubbish I found a cardboard carton full of junk to sit on. Bliss. Half an hour later the rubbish men arrived in their truck, grinned at me, examined my sketch, loaded the bags of rubbish and then did a double take. They had spotted my 'seat'. I bashfully stood up but they showed no pity. Off it went in the truck. I continued as long as I could sitting on the cobblestones. Ouch!


Pulcin della Minerva
7"x10" HP watercolour paper - ready to paint


Alas, HWEM was at home with the dogs so I headed off for a nostalgic cup of coffee at a favourite spot of ours in the square opposite the Pantheon.

Time,I decided, to attack the Mt. Everest of sketches - Benini's Fontana dei Quattro Fiumi . When I arrived in the Piazza Navona I found it covered in scaffolding. I wasn't really up to the task anyway. Besides it was blazing hot and there wasn't a scrap of shade, so I stood for a couple of minutes beside the Fontana del Moro and tried to capture a couple of details.


Fontana del Moro

Jim and Philippa also introduced me to what must be the best art shop in Rome (Ditta M. Poggi, via Pie' di Marmo 39). So, armed with my new Pitt artist pens, I headed back to the apartment to sketch a portion of the view from my bedroom.

Watercolour Moleskine

I took lots of photos in order to do a larger painting of the entire cluster of charming little Roman apartments.

It was a fantastic two days. The highlight? Standing in front of Caravaggio's Saint Matthew Cycle in San Luigi dei Francesi to see, for the first time, his Calling of Saint Matthew.
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